Way of Seeing Waterfrom Design

2019-01-09 20:00
凝视把距离变成了一种挥之不去的余味,与深圳其他新兴地区不同,新建筑如雨后春笋般拔地而起,罗湖区是一个相对古老的地区。尽管现代和创新建筑从地面升起,其历史和文化渗透到日常生活中。在城市迅速变化和新旧融合的背景下,水相的设计以博物馆展览的精神为中心。
Gaze Turns Distance into a Lingering Aftertaste Unlike other emerging areas in Shenzhen with new buildings springing up like mushrooms, Luohu District is a relatively old area. Despite modern and innovative buildings rise from the ground, its history and culture pervade daily life. In the context of rapid changes and the new and the old mixing together in the city, the design of aqueous phase centers on the spirit of an exhibition of a museum.
Gaze Turns Distance into a Lingering Aftertaste Unlike other emerging areas in Shenzhen with new buildings springing up like mushrooms, Luohu District is a relatively old area. Despite modern and innovative buildings rise from the ground, its history and culture pervade daily life. In the context of rapid changes and the new and the old mixing together in the city, the design of aqueous phase centers on the spirit of an exhibition of a museum.
 entrance. Image © Yuchen Chao
入口图片:赵玉臣
它的目的是在熙熙攘攘的喧嚣中创造出一个空间,让过路的人可以在那里慢慢来,让自己冷静下来,暂时忘记各种麻烦。在这个空间里,一个人可以获得纯粹的感官体验,享受与自己有共鸣的文化气息。
It aims to create a space in the bustle and hustle where passers-by can slow down and calm down in spite of themselves and temporarily forget all kinds of troubles. In this space, one can obtain pure sensory experience and savor a touch of culture that resonates with himself/herself.
It aims to create a space in the bustle and hustle where passers-by can slow down and calm down in spite of themselves and temporarily forget all kinds of troubles. In this space, one can obtain pure sensory experience and savor a touch of culture that resonates with himself/herself.
 entrance. Image © Yuchen Chao
入口图片:赵玉臣
空白的空间积累了沉默的力量,作为一个携带艺术和文学的领域,它的空间安排应使游客能够直观地感受到与疯狂人群不同的气氛。博物馆只有黑色和白色的颜色。它引进了许多欢迎阳光的玻璃窗帘。Matt丙烯酸结构、带图案的白色墙壁和粗糙的石头表面被用来产生效果,即使阳光也会减速。
Blank Space Accumulates the Strength of Silence As a field carrying art and literature, its spatial arrangement shall enable visitors to intuitively feel an atmosphere different from the madding crowd. The museum only has black and white colors. It introduces many glass curtains welcoming much sunlight. Matt acrylic structures, white walls with patterns of fir, and rough stone surface are utilized to generate an effect that it seems even the sunlight slows down.
Blank Space Accumulates the Strength of Silence As a field carrying art and literature, its spatial arrangement shall enable visitors to intuitively feel an atmosphere different from the madding crowd. The museum only has black and white colors. It introduces many glass curtains welcoming much sunlight. Matt acrylic structures, white walls with patterns of fir, and rough stone surface are utilized to generate an effect that it seems even the sunlight slows down.
 2F aisle. Image © Yuchen Chao
2F过道。图片:赵玉臣
以一种自由而缓慢的方式徘徊,第一个戏剧性的影响来自于入口处的“挥之不去”。从前面闪闪发光的池塘里,你可以看到天空的倒影像外墙上的玻璃窗帘一样透明和明亮。在这里,我们创造了一个角落平衡“真实”和“沉重”在入口处。
Linger on in an Unfettered and Slow Manner The first dramatic impact comes from "Lingering" at the entrance. From the sparkling pond in the front, you can see the reflection of the sky as transparent and light as the glass curtains on the outer walls. Here, we've created a corner balancing "real" and "heavy" at the entrance.
Linger on in an Unfettered and Slow Manner The first dramatic impact comes from "Lingering" at the entrance. From the sparkling pond in the front, you can see the reflection of the sky as transparent and light as the glass curtains on the outer walls. Here, we've created a corner balancing "real" and "heavy" at the entrance.
 entrance. Image © Yuchen Chao
入口图片:赵玉臣
铜和铁制成的弯曲和缠绕的墙壁就像一个三维雕塑,打破了传统上由门分开的内外二元关系。观众需要观察并设法找到入口。只有穿过雕塑,他们才能进入另一个空间。这个寻找和发现一块开阔土地的过程就像漫游。它连接着观众、艺术和空间。
The curved and winding walls made of copper and iron are like a 3D sculpture, breaking the binary relationship between the inside and the outside traditionally separated by a door. Viewers need to observe and try to find the entrance. Only by walking through the sculpture can they enter another space. This process of searching and discovering the piece of open land is like roaming. It connects viewers, art, and space.
The curved and winding walls made of copper and iron are like a 3D sculpture, breaking the binary relationship between the inside and the outside traditionally separated by a door. Viewers need to observe and try to find the entrance. Only by walking through the sculpture can they enter another space. This process of searching and discovering the piece of open land is like roaming. It connects viewers, art, and space.
 2F digital art lab. Image © Yuchen Chao
2F数字艺术实验室。图片:赵玉臣
扭、转、串、结是艺术载体中另一个重要的空间体验。在这种空间结构的垂直运动,楼梯不仅用于连接上下层。我们想给它一个意义。它成为一个巨大的雕塑,可以欣赏,步行,通过,就像托尼克拉格的作品。
Twisting, turning, stringing, and knotting based on the stair The connection is another important spatial experience in an art carrier. In this space structure for vertical movement, the stair not only serves to connect upper and lower floors. We want to give it a meaning. It becomes a huge sculpture that can be appreciated, walked, and passed through, like works of Tony Cragg.
Twisting, turning, stringing, and knotting based on the stair The connection is another important spatial experience in an art carrier. In this space structure for vertical movement, the stair not only serves to connect upper and lower floors. We want to give it a meaning. It becomes a huge sculpture that can be appreciated, walked, and passed through, like works of Tony Cragg.
 2F aisle. Image © Yuchen Chao
2F过道。图片:赵玉臣
 circulation diagram
循环电路图
 2F aisle. Image © Yuchen Chao
2F过道。图片:赵玉臣
为了突出建筑物内的漂浮和逆流关系,我们在建筑物内的两个主墙上切割不同宽度和高度的开口。在宽阔的白色空间中,黑色的块体垂直堆放,就好像它们不受重力的限制一样。他们扭曲和延伸形成斧子。它们连接为通过或窥视的开口。他们创造了一条没有界限的道路,就像一个序言把你吸引得太久了。
In order to highlight the floating and transcurrent relationship, we cut openings with different widths and heights on the two main walls inside the building. Among wide white space, black blocks are stacked vertically as if they are not confined by gravity. They twist and extend to form axes. They connect to be openings for passing through or peeping. They create paths without boundaries, just like a preface luring you too long for more.
In order to highlight the floating and transcurrent relationship, we cut openings with different widths and heights on the two main walls inside the building. Among wide white space, black blocks are stacked vertically as if they are not confined by gravity. They twist and extend to form axes. They connect to be openings for passing through or peeping. They create paths without boundaries, just like a preface luring you too long for more.
 2F aisle. Image © Yuchen Chao
2F过道。图片:赵玉臣
 2F aisle. Image © Yuchen Chao
2F过道。图片:赵玉臣
我们用楼梯来打破断面和立面之间的关系,重新连接空间,使步行更加戏剧化。整个空间变成了一个舞台。一个人可以在空间里快速而缓慢地行走,以获得各种各样的体验。在黑白背景下,他们可以行走、停下、看到和被看到。就连观察的动作也变得艺术化了。建筑外的世俗世界黯然失色。
We use stairs to break the relation between section and elevation and reconnect space, making walking dramatic. The whole space becomes a stage. One can walk fast and slowly in the space to gain varied experience. In the black and white background, they can walk and stop, see and be seen. Even the action of observation turns artistic. The secular world outside the building dims.
We use stairs to break the relation between section and elevation and reconnect space, making walking dramatic. The whole space becomes a stage. One can walk fast and slowly in the space to gain varied experience. In the black and white background, they can walk and stop, see and be seen. Even the action of observation turns artistic. The secular world outside the building dims.
 3F gallery. Image © Yuchen Chao
3F画廊。图片:赵玉臣
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

                    

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